¡@Artist In Residence Program 2011
 
@
@"Re-Modernologio" pahse1: Contemplating Society through daily lives
@
@   @
 

@

Program Data@|@ Exchange Program@|@ Artists and Their Works@|@ NOW on A.I.R.


@

An art project that deconstructs gmodernologioh!
The project rediscovers the relationship between daily life and art through artist activities.

This year the Aomori Contemporary Art Centre (ACAC) will hold an exhibition on gRe-Modernologio,h which will examine contemporary societal structure, lifestyle culture, and the relationship between regional daily life and art over a three periods\July-September 2011, October-December 2011, and January-March 2012\based upon the keyword gmodernologio,h a movement first advocated by Aomori-native KON Wajir?. Inspired by the barracks architecture which rose up on the burnt ruins of the Kant? Plain after the Great Kant? Earthquake, KON Wajir? developed and put into practice an unusual fieldwork method of drawing, afterwards claiming gmodernologyioh as a means to portray the conditions of contemporary society. Many artists whose field is contemporary art use all sorts of things closely connected to our daily lives as materials, producing pieces to pose problems and raise issues in society. They constantly observe their own surroundings carefully, gathering and organizing information within their environment. Upon mastication of this information, they ultimately expand their activities through the mode of creating art.
During the first phrase g[phase1]h under the theme of gcontemplating contemporary society through daily lives,h we invite three contemporary artists to perform work exhibitions: NISHIO Yoshinari, who has explored gthe relationships between fashion and communicationhusing plain clothes with which we clad ourselves as materials, and has coproduced art works with local people in various places; mamoru, an artist who takes the things and actions on which we rarely reflect with their corresponding meanings, values, and everyday elements and attempts to read and modify these concepts from a standpoint of sound experience; and IIDA Ryuta, an artist who dissects and revises various old books and magazines filled with traces of human existence, peoplefs memories, and the problems specific to that time, only to reconstruct them through original sculpture pieces.@
Due to the Great Tohoku Earthquake, we are facing a wide variety of problems. In the present situation, we must rethink our daily lives which we took for granted. Once again we would like to sincerely reexamine the foundation of our lives\clothing, food, and shelter. In this project, the artistsf projects will undoubtedly portray rich and varied creativity, however modest. From the standpoint of artistic culture, we will ruminate on society and lifestyles, which can encapsulate many different value judgments.

*On gmodernologioh: Field of study advocated by Aomori-native architect KON Wajir?. It attempts to analyze and explain a social situation and customs by concurrently investigating and researching elements in a set place and time. Characterized by fieldwork methods utilizing drawing, modernologio became a forerunner to the later living sciences and research into manners and customs.

¡Exhibition
23 July - 19 September,2011 10:00 - 18:00 / Admission Free

¡Artists
IIDA Ryuta / Artist
NISHIO Yoshinari / Artist, Director of Nishio Workshop, Ph.D. in Fine Arts
mamoru / Sound Artist

 

 

 

yRelational Eventz

šArtist Talk
23 July,2011 14:00 - 15:30 (Japanese)@
The artists who participate the exhibition talk about their art works or how do they consider/concern Modernologio,etc.
VenueGLounge
ArtistFIIDA Ryuta, NISHIO Yoshinori, mamoru
ModeratorFHATTORI Hiroyuki(ACAC Curator)

šOpening Party @
23 July,2011 15:30 - 16:30^Admission Free@
VenueFWorkshop Studio

šRe-Modernologio research program
Think about our daily life and society with artists through workshop, lecture and performance.

‚PjNISHIO Yoshinari Public Production
29 June-22 July,2011 10:00 - 19:00i(Currently recruiting staff personnel!)
With the phrase gPlay with clothingh as keyword, you can join Mr. Nishio and the ACAC staff in creating the art and the exhibit.
Installation art made from second-hand clothing: we will collect unneeded clothing en masse from ordinary households and create various installation pieces, patchworking patterns incorporated in modern clothing. We will also collect and classify clothing by buttons, sleeves, and per parts and patterns.
Re-modernology Research Society: Research of gDressh. Observational research of collected second-hand clothing, data development, and so on. We will create and present original art pieces through research.
For more details, please contact us.

2jIIDA Ryuta Workshop
21 August,2011 14F00 - 16F00
We will hold a workshop for kids during the last weekend of summer vacation. Let's create your own letter from the pieces of Hiragana.
object ageF4`6 years old

3jmamoru performance and workshop
18 September,2011 14:00 |15:30
"etude for everyday life"
You can experience the getudeh series, which takes everyday items, eating, and drinking and transforms them into pieces of acoustic art. The time spent will be an exhibit venue and a stage, a guide to art appreciation and a performance. This is a workshop concerned with art using Saran Wrap, ice, paper, refrigerators, microwaves, bookshelves, cupboards, other trivial commonplace items, electrical appliances, and furniture.

4jGenerating a Re-modernological Landscape(Architecture~Art~Re-modernology Talk)
31 July,2011 14:00 - 16:00(Japanese)
SpeakerFSHITAMICHI Motoyuki (Artist & Photographer/Tokyo)
@@@@ ARIZUKA Manabu (Architect/Aomori & Hiroshima)
ModeratorFHATTORI Hiroyuki (ACAC Curator)

5jAppreciation Tour with Curator
Gallery Tour 14 and 28 August, 3 September 14:00 - 15:00
Experience and understand the exhibition deeper through talking with a curator.
Family Tour 24 July, 13 August, 11 September 14:00 - 15:00
Appreciation Tour with kids.
Sunset Tour 12 and 20 August 18:00 - 19:00
You can enjoy appreciation tour and the beautiful sunset at ACAC.

6jACAC gSee the Lighth Program for Teens
29 July 13F00`16F00
Program geared toward teenagers to get to know the Aomori Contemporary Arts Centre, including exhibition appreciation, behind-the-scenes tour of the ACAC, and chatting with the artists.

You can watch the artist's daily activities through our blog.
http://acacaomori.exblog.jp/

 

š"Re-Modernologio" Invitation Artists in phase2 and 3
Phase2: ASAKAI Yoko/Photo, TOMII Daisuke/Sculpture, NIWA Yoshinori/Performance
Phase3: SASAKI Ai/Installation, SHITAMICHI Motoyuki/Photo
And more.



ªNISHIO Yoshinari,Public Production in French



ªIIDA Ryuta, workshop


ªmamoruAsetude no.12 plastic-foliot
Listening the sounds of plastic folio

 

  yArtist's Detail Informationz
IIDA Ryuta
Born 1981 in Shizuoka and a current resident of Hachinohe, Aomori, he graduated in 2004 from Nihon University College of Art with a degree in sculpture. He now works as a full-time lecturer at Hachinohe Junior College teaching childcare majors about art education while working on his own projects. He produces his pieces from collecting old books and postcards filled with peoplefs memories and then disorganizing and reconstructing them. His major solo exhibitions are gewiges equivalenth (TSCA Kashiwa/takuro someya contemporary art, Chiba, 2008) and gfact of accumulation 07h (graf media gm osaka, Osaka, 2007), and his major group exhibition has been g12th Okamoto Taro Contemporary Art Award Exhibitionh (Okamoto Taro Memorial Museum, Kawasaki, Kanagawa, 2009).
http://www.ryuta-iida.com/

 
Okamoto Taro Memoriam Museum,Kawasaki,2009

¡NISHIO Yoshinari@
Born in Nara, Japan, 1982. He obtained ph.D. from Tokyo university of the Arts in 2011.
Lives and works in Tokyo and Nairobi.
His works have consistently referred to relationships between fashion and communication, developing art projects with the cooperation of citizens and students around the world. His major art projects include gSelf Selecth in which he exchanges clothes with pedestrians who happen to pass by him in various cities across the world, gFamilial Uniformh in which he reproduces family photos with the same family members in the same clothes at the same place, gOverallh in which he reconstructs giant lost objects around the world with patchworks created from unwanted clothes, and gForm on Words Factoryh in which children imagine freely and create their own forms based on words. He established Nishio Workshop Nairobi Office in 2009, and started on alternative art projects in Africa.
http://www.nairobi-artproject.jp/
http://yoshinarinishio.net/
http://www.nairobi-artproject.jp/

 


 
áOverall:Ueno DaibutsuâUeno Park,2009

¡mamoru (mamoru[OKUNO Mamoru])
Born in Osaka, Japan in 1977, Mamoru has been playing keyboards instruments since age 7 and has mostly been self-taught.
He moved to New York City in 1996 to study music. There, he was exposed to improvisational and non-Western music. As a result, in 2001, mamoru moved back to Japan after completing B.F.A. program at The City University of New York to expand and explore these ideas using contemporary instruments and found objects.
Most recently, Mamoru has developed a series works "etude" that transforms everyday objects and practices into "sound art" or "means to create sound art" by decoding/recoding them. The works has been shown as installation works, performances, multiples and workshops.
In the etude performances, Mamoru, very often, invites audience to listen deeply to the sound by integrating audience as an important elemet in the process of sound making. The performance incorporates everyday practices such as eating and drinking. For example, the etude no.12 variation for eating "Nori paste" is one of the performance that ask people to eat with the artist to produce the sound object. There are other examples that involves drinking as a mean to create work.
http://www.afewnotes.com/


 
áetude no.36 no.39_instantnoodleâYUKA CONTEMPORARY,2011

yGuest Talkerz
¡SHITAMICHI Motoyuki
SHITAMICH Motoyuki is an artist who truly rethinks modernology; he creates art by first discovering, then collecting, and finally reorganizing creations produced as an extension of the lifestyles of ordinary people.
http://m-shitamichi.com/

¡ARITSUKA Manabu
ARITSUKA Manabu practices a unique method of collection/exhibition in Aomori, where distribution of materials can be scarce, especially in his own house in Hirosaki, which he has christened gthe Tsugaru Experimental Residenceh. Samples he has ordered and materials bought adorn the floors and walls in a bricolage-like fashion; he then offers this to clients as an example of his work. From a gRe-modernologicalh perspective,
http://www.aritsuka.com/


ªSHITAMICHI Motoyuki

 

yCall For AIR Supporters (AIRS)Iz
¡Activities
EInterpretation@ESupport the artist's activity EProject planning
and more

¡Registration
Registration feeF¥1,000@
AIRS office offers volunteer insurance, exhibition catalogue, ACAC magazine,etc to the supporters.

¡Inquiry and Registration
Aomori Contemporary Art Centre @acac-air@acac-aomori.jp

 

 
@

Aomori Contemporary Art Centre
152-6 Yamazaki Goshizawa Aomori City Japan@
Tel.+81-17-764-5200@Fax.+81-17-764-5201
e-mail@acac-1@acac-aomori.jp@http://www.acac-aomori.jp/

@

Copyright (C) 2011 Aomori Contemporary Art Centre. All Rights Reserved
@