Independent curator. Since 2016, she has been researching collective and DIY cultures that have developed out of indigenous cultures and social conditions, with a focus on Southeast Asia. She has an interest in interdisciplinary curation that combines forms such as exhibitions, performing arts, and educational programs. After gaining experience as a curatorial assistant at Mori Art Museum, she began working independently in 2023. She is also a program co-director of the shared studio Yamanaka Suplex, and a guest curator at the Art Center BUG and the “Rokko Meets Art 2024 beyond” art festival. Recent major exhibitions and learning projects planned by Ikeda include: “BUG School 2024: Feeling Cities with Wild Sense” (BUG, 2024); “Learning Soil Together!” (Yamanaka Suplex, 2024); and “Go Alone? Arrive Faster? Aim Further? Die Together?” (Yamanaka Suplex, 2024).

Born in 1999 in Roi Et, Thailand. She is a contemporary artist whose practice explores the structural systems of society, particularly in Isan (Northeast regions of Thailand). With a focus on satirical art, her work interrogates social norms and highlights issues open overlooked or deemed “normal.” By immersing themselves in local communities, she creates art that reflects the realities and complexities of daily life in these areas, transforming everyday observations into thought provoking narratives.These explorations manifest across various forms such as multimedia installations, Video art, Performance, New media art, Sculpture, and Photos.

She is currently an artist member and assistant at KULTX Collaborative Space in Khon Kaen Province,Thailand. Her body of work has been displayed in numerous exhibitions, including Young Artist 2021, Gold Rush Go Northeast at KULTX Collaborative Space (2022), SOE We Trade Everything 2023: The Serendipity, Kenduri Seni Patani 2024: Grassy Diary, and Art On Farm 2024: Khakis in the Khampom City and Beyond.

Born in Jakarta in 1992. Adi Sundoro (Asun) completed his Fine Arts Education studies at Jakarta State University (UNJ) and Bandung Institute of Technology (ITB) at the master’s degree. His passion for printmaking has resulted in a combination of various printing techniques that are often presented in unconventional format or even expanded. In his works, Asun often utilizes the principles of printmaking as an expression in seeing the daily phenomena around him, ranging from daily trivial issues to social politics. Some of his works have received awards such as the Public Prize Award at “The 1st International Kitchen Litho Contest 2016” in France and Bronze Winner at the UOB Painting of the Year 2022 in the Established Artist category. His first solo exhibition titled “Bualan Ikan: Narasi-narasi yang Terseret Arus” was held at KKF Yogyakarta in 2019. In 2025, Asun was commissioned by Museum of Modern and Contemporary Art in Nusantara (MACAN) for the Children’s Art Space; GORENGAN Bureau (Good, Organized, Responsive, Engaged Neighborhood Citizen Bureau).
Since 2014 Asun has been actively involved in Grafis Huru Hara, a printmaking studio-based collective that focuses on the exploration, experimentation and education of printmaking. Asun lives and works in Jakarta, as a visual artist, creative director and lecturer.

Born in Fukushima Prefecture in 1983, Tanji now resides in Okinawa Prefecture. In 2009, she received an MA in Sculpture from the Environmental Design Major of the Graduate School of Formative Arts at Okinawa Prefectural University of Arts. Using the everyday spaces within buildings as a motif, she uses found objects such as construction materials and household items to create assemblage pieces which serve as temporary structures examining the relationships between people and things, or between people and the environment. At the same time, she is concerned with the structures born out of social dynamics and the personal events that such structures obscure, creating works which attempt to shake up people’s perceptions of objects and sense of place.

Born in Ehime Prefecture in 1988, Maetani now resides in Kanagawa Prefecture. In 2013, he received an MA in Fine Art from the Kyoto University of the Arts. He works primarily with photography, which he uses as a means to transform and affirm his own behaviors. He thinks about how he can relate to the places he visits and the situations that arise there, then puts those ideas into practice and creates artworks that document the outcomes. Starting from self-portraits, he then develops his creations using the camera to contemplate his “own position,” moving back and forth between his own standpoint and another which views him as part of the landscape. Maetani also engages in artistic collaborations and archival photography as a member of the shared studio “Yamanaka Suplex,” as well as the artist groups “Kisoji” and “ARCHIVES PAY.”